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New from dCS

PUCCINI PLAYER
- AMAZING ALL IN ONE CD/SACD PLAYER -  
THIS MODEL REPLACES THE CLASSIC model P8i-  
THE BEST IN DIGITAL 

 

 Paganini System
new style and top line performance
 

 

THE SCARLATTI SYSTEM



dCS data conversion system - The best in digital just got better.  
World renown as the best digital play back system, dCS now introduces at the show the 
New SCARLATTI SYSTEM. Yes, system - New Reference - Transport, DAC and Clocking. 

 

 

 

 

P8i CD/SACD Player

Player with on board upsampling from CD to DSD 
• Analogue output (DSD and PCM) 
• Digital output (PCM) 
• Digital volume control 
• 2 x auxiliary digital inputs 
• Optional DSD upsampling from auxiliary inputs 

Read the review 

Coming soon: DAC8e converter, and T8e CD/SACD upsampling Transport

 

Verdi Encore


CD/SACD Transport, with DSD upsampling via IEEE1394 
• High quality dual laser mechanism 
• 2 x auxiliary digital inputs on RCA and AES
• Full range of PCM sample rate conversions: (44.1/48/88.2/96/176.4/192 kS/s), from CD and auxiliary sources
• Word clock in and out on BNC


dCS Verona
Master Clock

Calibrated to better than1 part per million accuracy synchronize up to 5 units with (BNC) word clock interfaces Standard clocking frequencies: 44.1 or 48kHz Works with all dCS consumer products fitted with word clock input. How can something as simple as a clock make that big of a difference?  dCS claims that's a trade secret, and won't give all the details.

Read the PDF at:
http://www.aslgroup.com/dcs/VeronaClockingPaper.pdf
 



SACD/CD Transport

 
  High quality dual laser mechanism
  Low jitter on-board clock
  Clock sync function with dCS Elgar Plus and dCS Delius D/A converters
  DSD digital output via IEEE1394 interface
Comprehensive Digital Output Interfaces - RCA Coaxial, BNC Coaxial, Toslink Optical, AES/EBU, SDIF-2

For many years dCS users all over the world have been asking us to make a disc transport to go with their dCS DACs. Well here it is - the dCS Verdi. The Verdi is two products in one - a CD transport and a SACD transport. Every effort has been made to obtain the best possible playback fidelity from both media. Compromising one to favour the other was not an option. We have achieved this by paying attention to the transport as a system, rather than concentrate on one or two specific features.

Specifications 

The Verdi's low jitter on-board clock ensures that it will give excellent CD playback with non-dCS DACs, but it really comes into its own when used with either the dCS Elgar plus or dCS Delius D/A converters, where the ability to synchronize the Verdi to precision clocks built into the Elgar and Delius takes CD playback to another level. We firmly believe that the quality of playback possible from the DSD layer of SACDs when using the Verdi, is the closest to the original master recording so far achieved with audiophile equipment. This rather bold statement is based on listening tests we have carried out comparing high quality DSD masters made by Turtle Records (using dCS professional converters), with the same tracks on the commercially released SACD.

 


click here to see another picture of a black Elgar Plus at American Sound
 

dCS's State of the art legendary
192kHz digital converter just got better
The most advanced audiophile DAC in the world!

  • Sample rates: 32, 44.1, 48, 88.2, 96, 176.4 & 192kS/s

  • 24 bit resolution

  • 8 digital inputs

  • Sony DSD digital input via IEEE1394 interface

The original dCS Elgar was launched in 1996, when it made history by becoming the world’s first 24/96 audiophile D/A converter. In 1998 some more history was made when we upgraded the Elgar and it became the world’s first audiophile 24/192 D/A converter. In 2000, we added the facility to accept DSD data from professional DSD digital sources. Now in 2001, we continue to add new functions and performance enhancements.

The Elgar plus is now being shipped with an IEEE1394 interface as standard. This is the digital interface that Sony will use to transfer DSD data between its audiophile products and it will therefore become the standard consumer DSD digital interface. We will also be using IEEE1394 on our forthcoming SACD transport. This interface has more than sufficient bandwidth to accommodate 8 channels of DSD audio, plus control data and gives the option of integrating the Elgar plus into a multi-channel system in the future.

The Elgar plus is also fitted with a professional SDIF-2 interface which enables the unit to play back DSD from professional DSD digital sources.

This wide range of interfaces, combined with the unit's ability to lock to any standard sample rate from 32kS/s to 192kS/s and accept DSD data, enables the Elgar plus to be used with almost any currently available, or foreseeable standard audiophile digital source.

The dCS Elgar
Rated Class A
Stereophile
Reviews:
  • Volume #20, Issue #7
  • Volume #20, Issue #12
  • Volume #22, Issue #2
  • Reproducing music in a hi-fi system is not just a matter of making sound similar to the original, it is about resolving every little piece of datum. The timbre of every instrument, the ambience of the recording space, even the noise made by the change in the conductor's pocket should all be apart of that stage in your home. The Elgar brings you the original performance in its original setting.

    dCS's proprietary five bit, 64 times over-sampling discrete architecture renders 24 bit resolution and linearity, while achieving excellent jitter rejection. The Elgar's standard sampling frequencies of 88.2, 96, 176.4 and 192 kHz, is untouched by the competition. Its software based design renders it completely upgradeable.

    dCS designs digital to analogue and analogue to digital converters for the world's top recording studios, as well as integrated circuits for the military and communications industry, so why shouldn't you have access to this technology? The Elgar can be demonstrated at our Store in Richmond Hill so come in for your listening session.

     

    Rated Class A

    Stereophile
    Reviewed in Volume #22, Issue #2

    dCS's 24/192 Digital Upsampler


    The dCS Purcell is the first high precision Digital Upsampler designed specifically for audiophile use. It is used to increase the sample rate and/or wordlength of the output from domestic linear pcm digital audio sources, such as CD and DVD players, up to a maximum sample rate of 192kS/s and a maximum wordlength of 24 bits. When decoded by a high sample rate D/A converter, the upsampled signal from the Purcell shows:

    • Improved dynamics

    • More dimensional stereo imaging in both width and depth

    • More accurate bass

    • Better resolution of fine detail

    • A more relaxed and natural presentation


    These improvements are not subtle but are quite clearly audible, even to inexperienced listeners. Over the last 2 years we have successfully demonstrated this technique to several thousand amazed listeners at audio shows around the world. Reactions have ranged from stunned silence, after the sound of jaws hitting the floor had faded away, to near incoherence in the case of one listener who was unable to ask questions about what he was hearing fast enough. The best analogy to describe the effect that we have come up with so far, is that of fitting a higher quality cartridge to your turntable. You played the same records, but heard more music as you rediscovered each LP.

    Now in the digital age, the Purcell gives you
    the chance to rediscover your CDs afresh.

    The dCS Purcell is more than just an upsampler. The advanced technology it employs makes it possible to give the user a very wide range of extra functions beyond that found in ordinary audiophile digital products. This gives great flexibility in how the unit may be set up and used in any particular system. The wide range of interfaces combined with the unit's ability to lock to any standard sample rate from 32kS/s to 96kS/s enables the Purcell to be used with almost any currently available, or foreseeable audiophile digital source. Each individual input can accept the sample rates 32, 44.1, 48, 88.2 and 96kS/s. You can therefore upsample CDs, DATs, Digital Radio and even 24/96 DVDs.

    Software and Hardware Upgradable - Don't Fear the Future
    aBecause digital audio formats and interface standards are in a state of flux, it is essential that new digital equipment should be easy to upgrade. Upgrades should also be available at a reasonable cost. All of the major digital processing in the Purcell is carried out in DSP and FPGA ICs. These are software controlled devices that make it very easy to adapt the unit to accommodate changes in digital formats and to add new functions. Whilst some upgrades may require hardware as well as software changes and so be more expensive, it is our policy to make upgrades as inexpensive as we possibly can.

    Here are some neat Purcell features

    Self test
    Every time the Purcell is switched on, it automatically performs a rigorous self test on its digital processing system. It also constantly analyses the input signal and flags errors if they occur. This can be very useful in trouble shooting problems with digital sources. A display self test can also be initiated from the Function Menu.

    Channel check
    An easy to use channel identification routine enables you to quickly verify that you have the left and right channels in your system correctly connected. This outputs a synthesised 1kHz digital tone, first on the left channel and then on the right channel. At the same time the main display indicates which channel is being tested.

    Phase check
    A phase check routine allows you to quickly and easily check the phasing of your speakers. This outputs a pink noise signal that is first in phase on both channels and then inverts the phase on one channel. At the same time the main display shows whether the test signal is in phase, or out of phase.

    System burn-in signal
    A system burn-in signal enables you to use the Purcell to burn-in new items in your system. Having this function and the Channel and Phase check built into the Purcell means that you will no longer have to turn your listening room up-side-down looking for that elusive test CD.

    Parameter memory
    When the Purcell is switched off, all of the unit's settings such as the Output Sample Rate, Noise Shaping, Dither, Digital Filter, Display Mode, Display Brightness etc are saved in a non-volatile memory. These are restored when the unit is next switched on and this removes the need to reset all of the parameters each time the unit is used.

     

    The dCS Delius 24/192 D/A converter sets a new level of sonic excellence in its class. It has been developed from our state-of-the-art dCS Elgar 24/192 D/A converter and uses a version of the Elgar's dCS Ring DAC. The Delius shares the same styling as our dCS Purcell Digital Upsampler and when used together, these two units create a musical tour de force that you will find it difficult to walk away from. As with all dCS products, modular construction and the extensive use programmable logic ensure a very high degree of upgradability. Key features include:

    The dCS Ring DAC
    The Delius uses a dCS Ring DAC similar to that found in the Elgar . This is a discrete, proprietary, 5 bit 64 times oversampling architecture that avoids the limitations inherent in the conventional one bit and multibit off-the-shelf converter ICs that are the basis of most other D/A converters. It is a development of work we have done designing A/D converters for fighter airborne radars. Here the performance of the A/D is a major limiting factor in the overall performance of the radar. Only the best will do. Anything less and you risk being blown out of the sky.

    A brief look at the pros and cons of conventional DAC's, which are generally either one bit, or binary weighted multibit, make the advantages of the dCS Ring DAC easier to understand.

    One bit systems have the advantage of good linearity, but because the converter output is switched between two levels at a very high rate, they are prone to small clock errors, which generate noise and distortion. In addition, their inherently high quantisation noise prevents a very low noise floor from being achieved.

    Conventional multibit converters have the advantage of lower distortion and noise compared to one bit systems. Their weakness is their dependence on current sources set by a resistor chain within the DAC IC. If, in a 16 bit converter, the Most Significant Bit current source is i, the next down i/2, the next i/4 and so on, the Least Significant Bit will be i/65,536. Resistors of this required accuracy are very difficult to manufacture, and in any case tend to drift with time and changes in temperature. These problems become more severe as the converter wordlength is increased. Consequently, conventional multibit designs have poor low level linearity and cannot accurately resolve low level signals.

    The dCS Ring DAC is a five bit unitary weighted converter. With this design, the problems usually associated with using resistor chains to accurately define extremely small current values that occur in binary weighted multibit types, simply do not exist. Special techniques are employed to cancel residual errors in current source values. It operates at a relatively low over sampling frequency compared to one bit converters, and so avoids the problems resulting from minor variations in high clock speeds. The accuracy of the dCS Ring DAC does not degrade with time, or changes in temperature.

    Most importantly, the dCS Ring DAC has exceptional linearity, which it maintains all the way across it's dynamic range. Linearity is a key figure of merit for a D/A converter, that interestingly you will rarely see mentioned in the specifications of audiophile converters. Generally they will be referred to as 24 bit converters, but this simply means that the converter can accept a 24 bit long data word. It does not mean that the converter is able to resolve data in all 24 bits. The Delius however can. We detail the measurements behind this bold statement in our paper Resolution, Bits, SNR and Linearity.

    The better the linearity of the D/A converter, the more accurately it will recover the music from the digital source. The dCS Ring DAC’s exceptional linearity enables the Delius to resolve this fine detail so that the music becomes more involving and long listening sessions no longer result in the listener feeling tired at the end.

    All of the major digital processing in the Delius is carried out in DSP and FPGA ICs (software controlled devices). This makes it very easy to adapt the unit to accommodate changes in digital formats and to add new functions. We have a long standing policy of making upgrades as inexpensive as we possibly can. New software may loaded into the Delius from a PC via a rear panel connector. This enables software upgrades to be performed without the need to take the lid off, or change any parts.

    Before you buy a new D/A converter, ask the maker about the cost of upgrading to 24/192 and when it will be available. Also ask whether the unit has DSD processing capability already built in and if not what will have to be changed and what will it cost. Remember, the Delius is already there!

    The Delius is equipped with all of the current standard audiophile digital audio interfaces.
    RCA Coaxial x 2
    BNC Coaxial
    AES/EBU x 2
    Toslink Optical

    The ability to lock to 192kS/s allows the Delius to be used to maximum effect with the dCS Purcell digital upsampler.

    The Delius is equipped with balanced and unbalanced analogue outputs and can drive any high quality valve or solid state power amplifier directly. Maximum output levels of either 6 volts or 2 volts may be selected via the unit's Function Menu.

    Every time the Delius is switched on, it automatically performs a rigorous self test on its digital processing system. It also constantly analyses the input signal and flags errors if they occur. This can be very useful in trouble shooting problems with digital sources.

    Digital De-Emphasis
    The Delius has four de-emphasis settings:
    The unit de-emphasises according to codes in the input data.
    Manually selects 50/15µs. This was used on some early CDs.
    Manually selects CCITT J17. This is a broadcast radio standard.
    Performs no de-emphasis regardless of codes in the input data.

    The first two modes are of especial interest to the audiophile, as they enable the Delius to deal with any CD, whether it was recorded with pre-emphasis or not and whether the emphasis identification flags in the data stream were correctly set when the CD was mastered or not. Because the de-emphasis is performed digitally, the filter curves are followed extremely accurately. An additional benefit of using digital de-emphasis filters is that if new digital standards are adopted that require de-emphasis, it will be very easy to update the Delius to accommodate this. On D/A converters where the de-emphasis filtering is implemented in the analogue domain, any update will require potentially expensive hardware and software changes.

    The Delius, like all dCS audiophile products, is guaranteed for 5 years from the date of purchase. This guarantee is transferable to subsequent owners. Delius owners who register their purchase with dCS will be notified when upgrades become available.

    Finally its time to hear it....
    You've read the sales pitch, so why not hear the difference for yourself. Don't forget to bring some of your favourite CDs and DVDs. 

    dCS Press Release
    High Resolution Master Demonstration
    Everyone is aware of the benefits high sample rate recording offer over CD. By playing digital masters, using a professional digital recorder, dCS gave a convincing demonstration of what high sample rates can achieve. Unlike previous comparisons however, simultaneous recordings were made of the same performance at both 24/176.4 and DSD using dCS 904/954 converters.

    The masters used were the latest Turtle Records released by Tony Overwater, now available as a SACD/CD.

    The special architecture employed by dCS in both its ADC and DAC, allows the same hardware to handle both PCM and DSD. Consequently, in both cases the same analogue front and back ends were employed. Futhermore, the data rates on the ADC and DAC converter boards are the same in 27/176.4 and DSD modes - 2.8224MS/s. As a result the differences between these PCM and DSD recording are only due to the formats and the processing software. Although the latter is a continually moving area, the general consensus from those who have heard this demonstration is that both are superb and while the differences are small the preference is heavily weighted in favour of DSD.

    dCS Grieg dCS gave the first public showing of it's latest product - the dCS Grieg - which is two products in the one box - an A-D converter and a digital upsampler. The upsampler has the same specification as the dCS Purcell and when combined with a high sample rate DAC, CDs become more enjoyable than previously possible to listen to. Standard on the Grieg and optional to the Purcell, is an IEEE1394 interface (sometimes referred to as "firewire' or 'iLink') which together with new software enable upsampling to DSD as well as PCM rates up to 24/192 kS/s. By installing an ADC board derived from the acclaimed dCS professional converters and by using the patented dCS Ring DAC technology, the Grieg will enable an analogue input - including phon0 (MM or MC) - to give performance that is truly transparent and virtually indistinguishable from the analogue source when played back through a dCS DAC. Whether as a means of introduction an analogue source into a digital system OR as a means of archiving those precious pieces of vinyl or tape - the Grieg will give a standard conversion previously only experience by leading professionals.

    dCS SACD/CD Transport dCS have given a clue to the performance that can be expected from the forthcoming SACD capable transport which is scheduled for release later this year. The yet to be named product will use a mechanism from a major manufacturer which has not been finally decided. For the CES show an early laboratory prototype system was demonstrated where a Philips player was combined with a SACD 'interface box' - the two units representing the performance that will be achieved or exceeded by the production transport. The transport was demonstrated with both the Elgar and Delius DACs using the IEEE 1394 digital interface. IEEE 1394 has been chosen by Sony as the DSD digital interface for its SACD players and according to dCS, will become the standard. The considerable bandwidth of this interface means that even carrying 98 channels of DSD, as well as comprehensive systems controls, is within its capacity. The results have already excited everyone back at dCS who have listened to SACD with this system and compared the results to studio DSD master. The general consensus is that "We didn't expect it to be as good as this!".